A weekend at the Royaumont Foundation

A weekend at the Royaumont Foundation

This weekend Augustin Muller and I were invited to Royaumont to sit on a panel with Jean-Philippe Wurtz, the artistic director of the Voix Nouvelles Festival. We spoke about our new project HEAVE (a Royaumont/IRCAM co-commission), and also had a chance to test the electronics at the Carré Magique - Royaumont's unique "sonic garden" - where the work will be premiered in September. Special thanks to sound engineers Martin Antiphon and Manuel Poletti for enduring many hours in the garden with us on this unusually hot spring weekend!

3 Weeks at Royaumont

3 Weeks at Royaumont

I've been hiding at an abbey for the past few weeks, listening to cows and mosquitos late at night, working on a nocturnal piece inspired by Fiona Sampson's beautiful poem Drowned Man. It's been intense and difficult. And also fun and exciting putting it all together with Juliet Fraser, Antoine Maisonhaute and Hélène Colombotti. They will perform it tomorrow in the abbey, at 17h45, just before the bells start ringing, with the sound of rain in the background...

The White Princess

The White Princess

Two years ago, set designer and director Aurélie Lemaignen introduced me to Rilke's play The White Princess. She read this section to me: "tout est le rêve que nous rêvons ; ce qui est court peut alors être long, ce qui est long l’est à n’en plus finir. Et le temps est espace." Time as space, she said, is your music.

A year later, through a commission from the Academie of the Festival d'Aix-en-Provence, we began a collaboration with writer Cordelia Lynn on an operatic scene inspired by Rilke's play. It took us on a journey, which Aix documented beautifully in this interview. Yesterday evening, sopranos Jennifer Courcier and Magali Simard Galdes, and percussionist Dorian Selmi gave it a beautiful premiere at the festival.

Work-in-progress at IRCAM: A Documentary

Work-in-progress at IRCAM: A Documentary

My composition for the Cursus has been in the works for the past few months, and the team at IRCAM has been documenting the process! Take a look HERE at episode 3 in this series of short video documentaries, where Juliette, Cordelia and I try out the first musical sketches for our composition you'll drown, dear, and receive feedback and advice from the brilliant Hèctor Parra.

Ensemble Regards at the Cité des Arts

Ensemble Regards at the Cité des Arts

The Cité International des Arts has been my home for the past 6 months. I have been to countless open studios (really I stopped counting), met artists from literally everywhere, learned how to do printmaking and carve wood...

Thanks to Ensemble Regards and the production team at the Cité, I was able to share my music with this wonderful creative community this past Monday. My deep thanks go to them and to everyone who came out on that rainy night.

Quick Trip to NYC: Celebrating the Fulbright Foundation

Quick Trip to NYC: Celebrating the Fulbright Foundation

I was in NYC this past weekend to celebrate the work of two foundations that are very important to me: The Fulbright Foundation and the Terezin Music Foundation. They have played an important role in my personal and artistic growth. And they continue to play an important role in the lives of so many other artists and scholars. Many thanks to the members of Ghostlight Chorus for bringing this new music and poetry to life so beautifully!

A Quick Trip to Louisiana: International Alliance of Women in Music

A Quick Trip to Louisiana: International Alliance of Women in Music

I can still smell the ancient oak trees, the figs and rosemary, the low clouds... I am very thankful to Jonathan Kulp and William Plummer from the University of Lafayette for their hospitality, to the Lafayette Chamber Singers for their moving performance of The Song About the Child, and to the Acadiana Center for the Arts and International Alliance of Women in Music for putting it all together and including my voice on their panel on women in music. The Louisiana I got to discover through their eyes was magical.

Back to Paris

In September I will begin a 10-month training and composition residency at the Institut de Recherche et Coordination Acoustique/Musique (IRCAM) in Paris. I will be studying new tools in music technology and computer assisted composition with composer Hèctor Parra and the different research teams at IRCAM. I'm very excited about this opportunity to go deeper into MaxMSP, OpenMusic, Antescofo and other IRCAM tools, and to make music in this new environment.